Alexandra Hangan Sets 41-50 May 2026

Collectors note that Set 45 contains one of the most reproduced images from : a front-facing portrait where the three slashes (two eyes, one mouth) line up perfectly with a window behind the canvas, allowing natural light to bleed through. Set 46: Prosthetic Ferns Release Date: January 2024 Location: Bucharest Botanical Garden’s neglected hothouse

Hangan physically printed her own portraits on raw canvas, then used a box cutter to create vertical slashes through the subjects’ facial region. She then re-photographed the slashed canvases under directional lighting, so the cuts cast shadows onto the wall behind.

Unlike standalone editorial work, sets 41-50 function as a novel in ten chapters. There are recurring motifs (salt, rope, slashes, thresholds), callbacks (the color of rust appears in every set at least once), and a clear emotional arc from corrosion (41) to suspended animation (50). alexandra hangan sets 41-50

Where Italian artist Lucio Fontana slashed monochrome paintings to reveal space, Hangan slashes faces to reveal absence of identity. The eyes, nose, and mouth become gashes. The viewer is forced to build a psychological portrait from negative evidence.

A stark departure from interior decay, Set 46 moves outdoors but retains the uncanny. Hangan commissioned silicone prosthetics shaped like giant fern fronds, which she attached to models’ spines, elbows, and kneecaps. Collectors note that Set 45 contains one of

The garden’s heating system failed three days before the shoot, resulting in frost on the glass panes and a temperature of -4°C inside the hothouse. Models wore no outerwear aside from the prosthetic ferns.

Images of shivering, blue-skinned figures whose artificial botanical appendages appear more alive than the humans wearing them. Set 46 has been widely interpreted as a climate anxiety allegory. Fans of Alexandra Hangan sets 41-50 frequently cite this set as the most emotionally affecting. Set 47: The Mother Wound Release Date: March 2024 Trigger warning: Discussion of generational trauma representation Unlike standalone editorial work, sets 41-50 function as

The critical reception was polarized. The Fashionography called it “unwatchable genius,” while other outlets decried it as gratuitous. Hangan defended the work in a rare Instagram statement: “Set 43 is not about shock. It is about what we refuse to see in our own biochemistry.”