Side A (now Tracks 1-6) featured fragmented, staccato rock songs. Side B (Tracks 7-11) was almost entirely instrumental ambient pieces, heavily influenced by German "krautrock" bands like Kraftwerk, Neu!, and Tangerine Dream. This side was a collaboration with Brian Eno, utilizing tape loops, synthesizers, and the EMS VCS 3.
Released as part of the A New Career in a New Town (1977–1982) box set, this remaster was overseen by original producer . For the first time in the digital domain, Visconti went back to the original flat master tapes (not safety copies) with the express goal of preserving the raw dynamic range of the 1977 vinyl cut. David Bowie - Low -2017- -FLAC 24-192-
In the pantheon of 20th-century art-rock, few albums defy convention—and reward high-resolution audio—as profoundly as David Bowie’s 1977 masterpiece, Low . For decades, fans have debated the merits of original vinyl pressings versus CD remasters. However, in 2017, a new benchmark was set. The release of the David Bowie – Low – 2017 – FLAC 24-192 digital transfer represents a quantum leap in how we hear Bowie’s Berlin-era opus. Side A (now Tracks 1-6) featured fragmented, staccato