And the box office has never looked better for it.
Studios argued that audiences didn’t want to watch older women grappling with life, love, or power. They were relegated to "the mother of the hero" or "the grieving widow." Even powerhouse talents like Shirley MacLaine and Faye Dunaway found roles drying up once they left their thirties.
Too often, the only roles available for mature women are heavy tragedies about dementia (Julianne Moore in Still Alice ), terminal illness, or profound loss. Where are the comedies about horny retirees? Where are the heist films with a crew of 65-year-old masterminds? We are getting there, but the tonal range is still limited.
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And the box office has never looked better for it.
Studios argued that audiences didn’t want to watch older women grappling with life, love, or power. They were relegated to "the mother of the hero" or "the grieving widow." Even powerhouse talents like Shirley MacLaine and Faye Dunaway found roles drying up once they left their thirties.
Too often, the only roles available for mature women are heavy tragedies about dementia (Julianne Moore in Still Alice ), terminal illness, or profound loss. Where are the comedies about horny retirees? Where are the heist films with a crew of 65-year-old masterminds? We are getting there, but the tonal range is still limited.
