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But why are we so drawn to watching two people fall in love? And why, in an era of cynical deconstruction and "anti-romance," do these storylines continue to dominate box offices and bestseller lists?

This is why "shipping" (wishing for two characters to get together) has become a dominant force in fandom culture. The audience becomes a co-author, projecting their own desires for intimacy onto the screen. Romantic storylines also serve as social scripts. For many young people, novels and films are the primary source of relationship education. We learn what a "red flag" looks like from Gone Girl (spoiler: murder). We learn about emotional labor from watching Lorelai and Luke in Gilmore Girls . emma+watson+sex+tape+extra+quality

But the definition of "who" and "how" and "for how long" is finally expanding. Whether it is a period drama about repressed Victorian longing, a sci-fi saga about a cyborg learning to love, or a slice-of-life comedy about a lesbian couple adopting a dog, the core remains the same. But why are we so drawn to watching two people fall in love