Xerxes, not understanding the science of temporal displacement, interprets this as an act of war by a "king of the barbarians from the North" (the Franks). Enraged, he declares a holy decree: he will build a second set of "Couloirs" (corridors) – not of time, but of conquest – to find this Godefroy. On paper, pitting a 11th-century French knight against a 5th-century B.C. Persian king is nonsense. But Les Visiteurs 2 is a film that runs on nonsense—high-octane, logically consistent nonsense. Here is why the Xerxes subplot is comedic genius:
Historically, Xerxes I was the fourth King of Kings of the Achaemenid Empire, famous for his massive invasion of Greece (immortalized in the film 300 ). In Les Visiteurs 2 , however, he is something far more delightful: a petty, vain, easily manipulated despot who becomes an unwitting pawn in the time-travel chaos. les visiteurs 2 les couloirs du temps xerxes
The film’s production team deserves immense credit. The Persian court is a riot of gold, lapis lazuli, and towering candles. Xerxes wears a massive, immovable gold crown and a fake beard of astonishing geometric precision. He does not walk so much as glide on a raised dais carried by slaves. This visual excess contrasts hilariously with the muddy, pragmatic world of Godefroy’s castle and the neon-lit, sterile world of 1998 France. Persian king is nonsense
Desperate, Godefroy consults the enigmatic wizard Eusebius (André Pousse). The solution? Travel not to the past, but to the future —specifically, the year 1998—to retrieve a magical sapphire embedded in a family heirloom. However, as with all things magical in this universe, the spell goes spectacularly wrong. The time corridor (the "Couloirs du temps") becomes unstable, and in a stroke of chaotic genius, the filmmakers introduce a third temporal destination: , at the court of King Xerxes. In Les Visiteurs 2 , however, he is
This line encapsulates the film’s genius. Xerxes is not evil; he is simply a man of his time (which is a different time) applying his logic (conquest and fire) to a world that has no category for him. Godefroy ultimately defeats him not with a sword, but with a lesson in temporal mechanics: he shoves the crystal into Xerxes' crown, causing the king to be violently sucked back to 467 B.C., where he arrives mid-feast, confused and wearing a 20th-century sneaker on one foot. Let us be clear: Les Visiteurs 2 has zero interest in historical accuracy regarding Xerxes. The real Xerxes was a sophisticated administrator and builder. The film’s Xerxes is a screaming caricature of Orientalist despotism—but it is a self-aware caricature. The film mocks all eras equally: the Middle Ages are brutish and superstitious; the modern era is sterile and bureaucratic; the Persian Empire is opulent and irrational.
The sequence unfolds like this: During the unstable time jump, the magic crystal fragments. One shard flies through a corridor and lands in the palace of Xerxes. Intrigued by this glowing, humming object, Xerxes (played with gloriously over-the-top theatricality by French actor Jean-Pierre Clami) believes it to be a sign from Ahura Mazda. Meanwhile, Godefroy and Jacquouille, mid-jump, get scrambled. For a few crucial minutes, Jacquouille finds himself swapped into the body of a Persian harem guard, and a piece of medieval French armor materializes in the throne room.