The Criterion Collection has done more than preserve a film; they have preserved a specific frequency of happiness. To watch this restored version is to understand why Jacques Demy is a saint to directors from Damien Chazelle ( La La Land owes this film its entire color palette) to Wes Anderson.
The Criterion Collection, known for its laser-focused restoration and scholarly extras, has not merely released a film; they have resurrected a world. Here is why the 1967 Criterion release is the gold standard and why The Young Girls of Rochefort remains a vital, necessary work of art. To understand the film, one must first understand the context. In the mid-1960s, France was changing. The stifled conservatism of the post-war era was giving way to the revolutionary fervor that would explode in May 1968. Yet, in the port town of Rochefort (filmed on location), Demy saw not politics, but possibility. The Young Girls of Rochefort -1967- Criterion -...
By 1967, Kelly’s star in Hollywood had waned. Demy, an obsessive fan of Singin’ in the Rain , wrote a role specifically for him: Andy, the American composer passing through Rochefort. Kelly, fluent in French, performs his own dubbing and choreographs his own solo number. The Criterion Collection has done more than preserve
The plot is deceptively simple: Twin sisters Delphine (Catherine Deneuve) and Solange (Françoise Dorléac, Deneuve’s real-life sister) dream of leaving their provincial lives for the glittering promise of Paris. Delphine seeks romantic love; Solange seeks musical fame. Meanwhile, a murder is being investigated (yes, really), a sailor is looking for his long-lost love, and a traveling fair arrives. The plot is a merry-go-round of missed connections and serendipity. Here is why the 1967 Criterion release is